"No. 310"

A year-long experiment in self-restraint.
For twelve months I stripped away the signature element of my work—vibrant colour—and limited every canvas to black, white and the greys they create. Depriving myself of hue forced new priorities: texture, contrast, negative space. Knife-gouged strokes feel sharper, spray mists read like breath, and the untouched linen suddenly matters as much as the paint.

Monochrome 23 is the record of that discipline. Each piece sits on the edge between silence and noise, calm and urgency, inviting you to project your own mood onto the simplest palette possible. Fewer ingredients, bolder impact.